guest
CHOREOGRAPGY AND DIRECTION:
Ester Trčková
MUSIC:
Haštal Hapka
INTERPRETATION:
Jana Hampl Maroušková, David Králík, Alena Laufrová, Julie Kubrychtová, Jakub Kohout, Tereza Holubová, Miroslav Maruška, Viera Pavlíková, Petr Veleta
DRAMATURGY:
Roman Poliak
SET DESIGN:
Viktorie Drobná
COSTUMES:
Klára Pavlíčková, Veronika Petrová
LIGHT DESIGN:
Dominik Šimurda
PRODUCTION MANAGEMENT:
Adéla Garabíková, Barbora Zajíčková
TAILER:
Radim Vaňous
PEDAGOGICAL SUPEVISOR:
Mgr. Bohumíra Eliášová, Ph.D.
SPECIAL THANK TO:
Simona Dejmková, Eva Dryjová a holky ze Žďáru, Mgr. Jan Kodet, Žaneta Musilová, Dominique Rebaud, Šárka Říhová, Jakub Slovák a Kryštof Žucha, Vojtěch Sochor, Richard Juan Rozkovec, TS Magdaléna z.s.
PARTNERS OF THE PROJECT ARE:
Centre for choreographic development SE.S.TA, REZI.DANCE Komařice, State Cultural Fund of the Czech Republic, Lenka Vagnerová & Company, Academy of Performing Arts in Prague, TEP39. Thank you for the support.
DUTARION:
50 min
We stand beside each other, our eyes cast downward, perhaps timidly greeting each other and exchanging shy smiles. Nine human bodies, which otherwise would never have met so closely. The dagger of emptiness stretched out and our desire to change into anything. The cosmos unfolds, its vastness cooling around us. The arrow of time, a relentless guide, traces our journey from order to chaos, relentlessly heading towards the end. A line that will ultimately fade into oblivion.
Before the performance at 19:20, there will be a dramaturgical introduction in the foyer of the theater.
Ester Trčková comes from Brno. She graduated from the Duncan Centre Dance Conservatory (2019) and is currently a master's program student in choreography and directing at the Academy of Performing Arts in Prague, Music and Dance Faculty (HAMU). She is a co-founder of the art collective SPOLK (2020), where she works as a choreographer and performer in productions like "Excuse me!", "Absolutely Unacceptable part II." or "Extraordinary". She focuses on her own creative work in productions "The Miners" (2022) or "Artificial" (2021), in which she often addresses current social topics and combines theatrical principles with movement and dance.
