dis pla y

16

December

Choreography, performers:

Jitka Čechová, Tereza Lenerová

Music:

Václav Chalupský

Costumes:

Terezie Dvořáková

Light design:

Patrik Sedlák

Artistic collaboration:

Tereza Krčálová, Honza Malík

Coaching:

Maja Hriešik

Project implementation, production:

Honza Malík & PULSAR z. s.

Coproduced by:

Tanec Praha z.ú. / PONEC - divadlo pro tanec, Prague, Studio Truhlárna, Johan z.s. / Moving Station Plzen

With the support of:

Ministry of Culture of the Czech Republic, City of Prague, Nová síť, Norwegian funds, Rezi.dance Komařice, Studio ALTA, Studio Dance Perfect, Micro and Macro Dramaturgies in Dance, Creative Europe Programme of the EU, Balada SITE

Special thanks:

Lucie Kocourková, Jana Baladová, Marie Malíková, Jana Tomášková, Yvona Kreuzmannová, Markéta Perroud (Tanec Praha z.ú. / PONEC - divadlo pro tanec), the production and PR team of the PONEC Theatre, Josef Chuchma, Vojta Brtnický, Vojtěch V. Sláma, Vít Štaif, Markéta Málková & Aleš Hrdlička (Rezi.dance Komařice), Roman Černík & Eva Kraftová and coll. (Moving Station Plzen), Jakub Hradilek, Anna Benháková

I expose myself on a gleaming surface to be touched by the reflection of your impression of me. I have a fleeting desire to slip in front of you and start laughing inappropriately. We call for uncertainty in the duel and give embarrassment the green light. We are deadly serious, the REAL DEAL BABY, but when will we be able to take a breather?

This this this this play is not a play anymore. 

 

If you've ever felt embarrassed, you'll feel better today!

 


 

The idea of the project and the resulting work appeared during one of the artistic meetings of ULOV REALITU (HUNTING REALITY) organized by the Pulsar group, where choreographers Jitka Čechová and Tereza Lenerová met for the first time. Conditions and space were created for their creative work, where together they tested the boundaries and limits of what is tolerable on stage, both for them personally and for the viewer. The paradoxical situation where there is "no" audience and we do not know what it will be like when they return sometimes caused total detachment. It was often a game that lacked an opponent.

The whole project, whose outcome is the choreography dis pla y, was created in collaboration with Honza Malík and Tereza Krčálová, who brought their suggestions, raised questions and provided reflection. It was a combination of so-called macro and micro dramaturgy. Thus, the project is not only based on choreography, but on an analysis of attitudes and feelings emanating from the current situation, on thinking about the relationship between the viewer and the artist, i.e. the work that the Pulsar group is permanently engaged in.

Tickets

16

December

dis pla y

PONEC - dance venue
20:00
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Add to Calendar 16-12-2021 20:00 16-12-2021 20:00 Czech republic/Europe dis pla y I expose myself on a gleaming surface to be touched by the reflection of your impression of me. I have a fleeting desire to slip in front of you and start laughing inappropriately. We call for uncertainty in the duel and give embarrassment the green light. We are deadly serious, the REAL DEAL BABY, but when will we be able to take a breather? This this this this play is not a play anymore.    If you've ever felt embarrassed, you'll feel better today!     The idea of the project and the resulting work appeared during one of the artistic meetings of ULOV REALITU (HUNTING REALITY) organized by the Pulsar group, where choreographers Jitka Čechová and Tereza Lenerová met for the first time. Conditions and space were created for their creative work, where together they tested the boundaries and limits of what is tolerable on stage, both for them personally and for the viewer. The paradoxical situation where there is "no" audience and we do not know what it will be like when they return sometimes caused total detachment. It was often a game that lacked an opponent. The whole project, whose outcome is the choreography dis pla y, was created in collaboration with Honza Malík and Tereza Krčálová, who brought their suggestions, raised questions and provided reflection. It was a combination of so-called macro and micro dramaturgy. Thus, the project is not only based on choreography, but on an analysis of attitudes and feelings emanating from the current situation, on thinking about the relationship between the viewer and the artist, i.e. the work that the Pulsar group is permanently engaged in. Husitská 24A/899 Prague Czech Republic
Photo: Vojtěch Brtnický
Photo: Vojtěch Brtnický
Photo: Vojtěch Brtnický

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